Maria is having one of the worst days of her life. Her parents died. Her dog, too. She was fired from her job. She was beaten by thugs in the street. But all of her troubles melt away when she locks eyes with Tom in the midst of his suicide attempt. Soon, the gobsmacked young lovers are hand-in-hand, bounding across sun-dappled meadows and expressing their undying love through song. Their courtship is cut short when a spree killer with a chainsaw and his own musical backstory takes Maria captive to feed his grotesque family of cannibals, consisting of his overbearing mother, artistically inclined little brother, and incestuous cousins Pepe and Kevin. Vowing to come to his lady’s rescue, Tom teams up with Jaan, a goodhearted, goofy passerby with nothing but time on his hands and a song in his heart. The two head deep into the woods, embarking on a madcap quest full of blood, guts, and toe-tapping show tunes. Along the way, they’ll encounter some trigger-happy, pastry-loving cops, a helpful little hedgehog, a shitload of exploding cars, and a cult that worships a talking fridge full of nauseating contents. Nearly 10 years in the making, this bastard child of Stephen Sondheim and Lloyd Kaufman is an utterly indescribable Estonian odyssey. (Sander Maran, 2024, Estonia, 1:57, NR)
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